UI work in Peter Clark’s Decrypt (on vimeo). Process breakdown
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The Real Cyberpunk Fakebook, and way before that, rec.music.industrial laid out the groundwork thusly: “Q: What do cyberpunks listen to? A: Whatever they damn fucking want to.”
Unnervingly right.
Cyberpunk music moves from EBM (Front 242), electroindustrial (Front Line Assembly), sample-laden good ol’ riffing (Ministry), electro punk (Angelspit) or glitch - such as this project here, Access to Arasaka, that takes its name from the Cyberpunk 2020 pen-and-paper RPG universe.
If I had to pick one, just one band to compose the soundtrack for Neuromancer, it would clearly be Access to Arasaka, no doubt about that. (Come to think of it, Front Line Assembly’s already composed a game soundtrack for mecha shooter AirMech and it’s clearly one of their best and richest albums, so I’d clearly give them a shot at it, too.)
Surprisingly great background music for medical translations. Michael McCann’s OST for Deus Ex: Human Revolution is in my soundtrack TOP3 (together with Vangelis’ Blade Runner and FLA’s Airmech albums) - and news are, he’s scoring Deus Ex: Mankind Divided, too. Wonder who’s going to lay studio hours into Cyberpunk 2077..
A few years ago, in 2008, the Flemish TV-channel Canvas broadcasted an episode in their Belpop series focussing on Front 242. The documentary was in Dutch and French and thus not always very accessible to those not mastering these fine languages.
But luckily enough there is the promoter of the Festival Forte in Portugal who has now translated the complete interview. You can view this rather well-done documentary below, this time with English subtitles.
(via side-line)
大ヒット公開中『攻殻機動隊 新劇場版』オリジナルガイドPVをアップしました!
ぜひご覧下さい!
There is nothing funnier than the completely wrong English translations supported by ANY of the currently available major solutions on a Monday morning…. oh wait.
The first 10 minutes of the new Ghost in the Shell movie.